Curtiss Warhawk - Specifications & Review

Warhawk

Article Complete Info

Articleid180915
CategoryNaked bike
MakeCurtiss
ModelWarhawk
Year2020

Chassis, Suspension, Brakes & Wheels

FrametypeAluminium monocoque
FrontbrakesDouble disc. Four-piston Beringer radially-mounted Aerotec calipers
Frontbrakesdiameter230 mm (9.1 inches)
FrontsuspensionDouble-wishbone parallelogram fork with tubular aluminium struts
Fronttyre160/70-VR18
Frontwheeltravel114 mm (4.5 inches)
Rake27.5°
RearbrakesSingle disc. Cross-drilled Aeronal stainless steel disc with two-piston Beringer caliper
Rearbrakesdiameter230 mm (9.1 inches)
RearsuspensionAluminium swingarm with cantilever RaceTech monoshock
Reartyre240/45-VR18
Rearwheeltravel140 mm (5.5 inches)
Trail106 mm (4.2 inches)

Engine & Transmission

ClutchHydraulically operated bandit multiplate dry clutch
Compression10.3:1
CoolingsystemOil & air
Displacement2163.23 ccm (132.00 cubic inches)
EnginedetailsV2, four-stroke
FuelsystemInjection. Delphi EFI
Gearbox5-speed
LubricationsystemDry sump
Power150.00 HP (109.5 kW)) @ 5100 RPM
Topspeed265.5 km/h (165.0 mph)
Torque217.00 Nm (22.1 kgf-m or 160.1 ft.lbs) @ 2000 RPM
Valvespercylinder2

Other Specifications

ColoroptionsGreen/Silver
CommentsUS brand. Limited edition of 36 bikes.
StarterElectric

Physical Measures & Capacities

Fuelcapacity14.19 litres (3.75 gallons)
Seatheight749 mm (29.5 inches) If adjustable, lowest setting.
Weightincloilgasetc258.6 kg (570.0 pounds)

About Curtiss

Country of Origin: United States
Founder: H. Matthew Chambers (brand pivot of Confederate); inspired by Glenn H. Curtiss
Best Known For: Design-forward electric motorcycles (e.g., Hades/One concepts) and luxury EV craftsmanship

Company History

Curtiss Motorcycle Company represents the electric-era reframing of the radical design philosophy once known as Confederate. Retiring the old name, the team embraced a cleaner, futurist identity while paying homage to aviation pioneer Glenn Curtiss, whose 1907 V-8 motorcycle land-speed run still echoes through motorcycling lore. The modern Curtiss projects center on electric powertrains presented as sculpture: battery packs and motor housings arranged like architectural elements inside minimal frames, with suspension and controls designed to keep visual clutter low. The brand’s goal is not mass adoption but craft—limited-series machines that treat electrons as an opportunity to rethink proportion, structure, and the rider’s interface. Without an engine’s heat and vibration constraints, designers experiment with new packaging, seeking balance and poise rather than filling voids once occupied by cylinders. Commercialization is challenging at such low volumes, and concepts evolve as suppliers and regulations shift. Yet the cultural value of Curtiss lies in its insistence that premium motorcycling can be electric without becoming appliance-like. Historically, the company extends a century-old American narrative: from Glenn Curtiss’s speed-as-spectacle to 21st-century design-as-spectacle, always asking what a motorcycle should look and feel like when freed from convention. For enthusiasts, Curtiss functions as a laboratory where the language of luxury bikes—materials, stance, handwork—learns to speak in volts and new geometries.

Other Years

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